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Sabtu, 23 Oktober 2010

PDF Ebook Iphigenia among the Taurians, by Euripides Anne Carson

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Iphigenia among the Taurians, by Euripides Anne Carson

Review

“Carson is a brilliant and original translator.” (Publishers Weekly, on An Oresteia)

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About the Author

Anne Carson was born in Canada and teaches ancient Greek for a living.

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Product details

Paperback: 78 pages

Publisher: University of Chicago Press (September 10, 2014)

Language: English

ISBN-10: 022620362X

ISBN-13: 978-0226203621

Product Dimensions:

5.5 x 0.2 x 8.5 inches

Shipping Weight: 4.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#958,077 in Books (See Top 100 in Books)

Anne Carson, one of the greatest living poets of the English language shows off her chops as a classical scholar in this translation of one of Euripides' less well known plays. This translation dating to 2013 is perhaps a bit tighter to the original Greek than some of Carson's best known work, and casts a keen insightful eye into a world populated by women, men and their gods some 2500 years ago without losing any modern reader of English along the way. While this is not much like Carson's free-wheeling translation of Sophocles in "Antigonick," what it loses in free inventiveness it more than regains in deep insight into a world that is at once intensely human and familiar, and at the same distant in custom and presuppositions from our era some 25 centuries later. Though not the special effect laden Hollywood version of the Trojan war, Carson's version of this aspect of the Trojan myth is compelling and intimate. Like Euripides, she gets us inside the head of the characters who are both immensely powerful and at the same caught up in dilemma not of their own making.

Anne Carson is a true giant in the field of Greek translation and deservedly so. Her work is concise, poetic, and entertaining, not always an easy task with the subject matter. I read her translation of the Oresteia last year, and this is a worthy conclusion to the House, of Atreus's story.

Ann Carson's translation is a joy for lovers of Classical Greek drama.

Although I hate this book, it was delivered on time and as advertised.

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Minggu, 17 Oktober 2010

Get Free Ebook Ordinary People: A Novel

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Review

“The book achieves a moody, velvety atmosphere, as though events were unfolding under amber-tinted bulbs. Bracketed by Barack Obama’s electoral victory and Michael Jackson’s overdose, Ordinary People also offers a precise sketch of the British black middle class, with a daring fifth-act twist.” - The New Yorker, "The Best Books of 2018"“Evans, the author of two previous books, has earned comparisons to Dickens with her panoramas of a jumbled, multitudinous London, but Tolstoy remains her spirit guide in how he intertwined the public and the private, the momentous and the mundane.... Exceptionally sensitive writing.” - Katy Waldman, The New Yorker“Epic… Evans' exuberant prose, which bursts at the seams with description, is the real star of this book.” - Refinery29, "The Books of September 2018 We Can’t Wait to Read"“The award-winning author of 26a and The Wonder returns with her first novel in nearly a decade and it’s a doozy: a scandalous, explosive contrast of two marriages, both of which vie to survive crises over the course of a year.” - Entertainment Weekly“Sharp, moving.” - Southern Living“Diana Evans has masterfully crafted a beautiful, nuanced story about love, loss, and redemption. With compelling prose and an uncanny insight into the questions life throw at us as human beings, she has established herself as a voice to behold.” - Nicole Dennis-Benn, author of Here Comes the Sun“Evans’ novel explores the fault lines that can run through a marriage, and unpacks the intersection of race, gender, and politics with something as profoundly intimate as marriage.” - Huffington Post, "Fall 2018 Books We Can’t Wait to Read"“Diana Evans is a lyrical and glorious writer; a precise poet of the human heart.” - Naomi Alderman, author of The Power“Deep and addictive.... Evans zooms out to build her characters' culturally rich backstories as they struggle to recognize their older selves and the relationships that have aged along with them. A probing, entertaining, and self-affirming novel of men and women getting relatably lost in the crises and hauntings of early midlife.” - Annie Bostrom, Booklist [Starred Review]“That rarest thing: a literary novel about real, recognizable human beings―a poignant portrait of middle life in London's middle class. Evans has given us four thirtysomething characters so perfectly drawn that they seem to come from a brilliant Netflix dramedy, but has rendered them with a classical prose so confident that it seems to come from a 19th century novel. Beach reading for the thinking beachgoer: as intelligent and insightful as it is hilariously entertaining.” - Taiye Selasi, author of Ghana Must Go

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About the Author

Diana Evans is a novelist and critic who has written for Marie Claire, the Guardian, and Harper’s Bazaar, among other publications. Her first novel, 26a, won the Orange Award for New Writers. She lives in London.

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Product details

Hardcover: 320 pages

Publisher: Liveright; 1 edition (September 11, 2018)

Language: English

ISBN-10: 1631494813

ISBN-13: 978-1631494819

Product Dimensions:

6.6 x 1.2 x 9.5 inches

Shipping Weight: 15 ounces (View shipping rates and policies)

Average Customer Review:

2.8 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#73,337 in Books (See Top 100 in Books)

And if ordinary, would we read about them, let them live around us? There is a novel here. It's in the characters, the pairings, the mother, the father. But like a painting with the needed elements, colors, tones, lines, shapes, something went off in the process of writing, as a painter, who moves from start to middle toward end realises that he/she went off course somewhere, needs to go back to the middle.

It had potential. The themes reflect the challenges of family life and couple dynamics. However i felt like it dragged on, being a struggle to finish. Every character had flaws, as do we all. However, the two couples weren't interesting enough for a novel. A short story would have been better.

This book was right up my alley -- or so I thought. The premise, two black couples living in London on the eve of Obama's historic election, was compelling with promises of psychological insight. But I ultimately had to abandon it. The amount of detail forced the narrative to proceed at a snail's pace and I couldn't lose myself in the story. It may be for another kind of reader but unfortunately, not for me. The title, by the way, is from the music of John Legend, whose second single provides the book's title. There is a lot of promise here but just not enough to keep me hooked.

A scary look at the ordinary lives of two couples and their struggle to love, through love and defining love. A very real portrayal of what couples experience when you hit that wall. I saw echoes of my own relationship as well as those of friends and siblings and it wasn't always pretty. In fact, it was downright scary in some instances and the alarm bells were ringing. I think the realism that Diana Evans brings to the page is what makes this novel so readable and works so well as a tale of stale domesticity.Michael and Melissa are at a crossroads in their relationship. Melissa is starting to feel as if she is taken for granted and begins to push back against the gender roles that have existed forever. Michael, is deeply tied to these roles and gives little to no thought as to how this could possibly be impacting their union.Damian and Stephanie didn't seem like a great fit from the beginning, so their struggles come less as a surprise and more as an expectation for such a poor pairing.The story and message of this novel is; love is fragile and easily broken if not tended to and cared for relentlessly and consistently. She nails the emotions, dialogue and motivations of her characters and succeeds in writing about the lives of ordinary people. There are some instances were this book veers of course, but for the most part it is a good read that stays true to its premise of ordinary people, confronting ordinary challenges. I recommend it without reservation. Thanks to Edelweiss and Liveright for an advanced DRC. Book hits shelves Sept. 11,2018

"There's a window. This is the window. Everyone, at some point in their lives, is faced with this window, and in the window you can choose not to become what you seem to be becoming. You can take a leap, do something off the wall, something reckless. It's your last chance, and most people miss it. They just walk past it. Then one day it closes, and once it's closed, it's closed forever"Michael and Melissa are unmarried, with children, and at a crossroads. Michael is stuck in the past, looking for the woman who captivated and enraptured him. The woman for whom he fell desperately in love, but who has since disappeared under the overwhelmingly large cloak of motherhood and domesticity.Meanwhile, Melissa is struggling to figure out who she is now that she's no longer a "free" woman. The children are her focus, but she's not sure if she's cut out for the role. Furthermore, she resents Michael's expectations of sameness when everything is in fact different.Evans accurately captures the conflicting feelings of love and loss motherhood invites--particularly if you've never "found yourself". For me, Melissa's breakdown was not only familiar but palpable. There were moments where I recognized and it was frightening.The story isn't only about Michael and Melissa. Their entanglement with Michael's friend Damian, and his wife Stephanie, bring you into a different type of dysfunction. Although married, they too have reached a point where they will either sink or swim. They aren't sure where each stands, but they've both so solidly bought into the idea of the family unit, neither is willing to consider separating unless it is the absolute last resort. Stephanie differs from Melissa in that she relishes her identity as a mother. Whereas Damian wonders if the life he's beholden himself to is really all there is and is it enough?The story gets a bit odd towards the end with the introduction of a ghost of some kind but I don't think Evans meant to for that portion to be interpreted as magical realism. I think it was meant to serve as definitive proof of Melissa's emotional instability.There is much to discuss and turnover with each of these couples, but the overwriting and frequent tangents away from the topic at hand, takes away from the flow. For that reason alone, I nearly gave up on it altogether, so I can see where others might do so as well.That said, this is a really good story that is definitely worth the effort.

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Minggu, 10 Oktober 2010

Download Silent Cities of Mexico and the Maya

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Silent Cities of Mexico and the Maya

Book by Carver, Norman F.

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Product details

Paperback

Publisher: Documan Pr Ltd; 2 edition (June 1, 1986)

Language: English

ISBN-10: 0932076076

ISBN-13: 978-0932076076

Product Dimensions:

9 x 0.5 x 10.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,063,976 in Books (See Top 100 in Books)

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Kamis, 07 Oktober 2010

Ebook Free Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood

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Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood

From the Inside Flap

“Comic Books Incorporated brings an industrial-history perspective to comics studies, addressing aspects, such as copyright, licensing, distribution, regulation, and creative networks, that often have been ignored. Comics are integral to today’s media landscape, but this account thoughtfully outlines how they became so and sheds light on their paradoxical status as both niche and mainstream content. Comic Books Incorporated is rock solid in its historical contribution and yet accessible to general readers seeking to know more about the business considerations that shaped their favorite comics publishers.”—Henry Jenkins, author of Convergence Culture: Where Old and New Media Collide “A much-needed book. Its singular focus on institutional history, encompassing financial and legal histories of the industry, gives it freshness and real value.”—Scott Bukatman, author of Hellboy’s World: Comics and Monsters on the Margins “Shawna Kidman makes fascinating and important connections between comics publishing and distribution and wider issues in media culture that scholars haven’t made or even approached before.”—Derek Kompare, editor of Making Media Work: Cultures of Management in the Entertainment Industries   “An extraordinary achievement and a major contribution to the field of film and media studies.”—Eric Hoyt, author of Hollywood Vault: Film Libraries before Home Video

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About the Author

Shawna Kidman is Assistant Professor of Communication at the University of California, San Diego.

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Product details

Hardcover: 328 pages

Publisher: University of California Press; First edition (April 30, 2019)

Language: English

ISBN-10: 0520297555

ISBN-13: 978-0520297555

Product Dimensions:

6.1 x 1.1 x 9.1 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#5,868,928 in Books (See Top 100 in Books)

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Selasa, 05 Oktober 2010

PDF Download , by Joan Nathan

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Product details

File Size: 136034 KB

Print Length: 416 pages

Publisher: Knopf (April 4, 2017)

Publication Date: April 4, 2017

Language: English

ASIN: B01I85OVSK

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I really have enjoyed this wonderful volume.....it contains some really wonderful recipes from around the globe. And there is a vast amount of background history and stories about how the author came to know about many of the recipes. For US readers, virtually all of the ingredients can be found easily in Asian, Indian or local grocery shops (save a couple truly exotice ingredients, but often substitutes are included in the text). I have made half a dozen of the recipes, all came out fine on a first go (and I am the definition of an amateur in the kitchen). Two observaions.....first, nearly all of the recipes are for large numbers or servings, as expected as many of the dishes are for Jewish holiday meals at which large groups might be attending. This isn’t in any way a downside, but for those like myself cooking for one or two, just be aware that you’ll need to do some quantity adjusting for ingredients, Second, I wish, though it probably just wasn’t practical, that the author/publisher included pictures of more of the dishes. There are plenty of pictures, but not for all dishes, and that picture is, for many people making a new dish for the first time, a vital help. With those two observations noted, I would highly recommend this to anyone who wants to try some truly delicious dishes from around the world and is interested in the history and background of the dish & Jewish culture surrounding many of those dishes. First rate book!

The cover tells the story: a variation of a challah roll lying atop an embossed map of the nations of the world. Joan Nathan, a tireless, curious, multilingual cookbook goddess, was in the Paradesi Synagogue in Kochi, Kerala, India, researching a book when she noted a sign that said Jewish people had been in India since the time of King Solomon. Whether it is myth, legend, or fact, she pondered how so many Jewish merchant seamen and traders traveled from the Middle East to other ports for business, spices, and spouses; and they created relationships and families, and “mashed-up” their Jewish food traditions with local customs, foodways and ingredients. She changed her plans and wrote this cookbook, her eleventh, instead.In it, Ms. Nathan travels – like these ancient mariners - from country to country, and finds she Jewish mash-ups, whether it is Jewish foods from Europe that ended up in Dayton, or Turkish staples in Cuba, or the foods of Babylonia in FSU Georgia. As she once said, “When I lived in Israel, I saw not a clash but a coming together of civilizations. You know, for me, Jewish food was my mother’s matzoh ball soup. Then I went there and I saw stuffed vegetables and all kinds of salads that were different… I realized then that food was culture, and it was not restaurant culture. It was ethnic culture.”The title? It is said that Solomon had 700 wives and half as many girlfriends, and they had many food traditions. He learned from them, they learned from him, and there was a sharing of recipes and other things. It was "tabletop Judaism." In this spirit, Nathan shares over 170 uniquely Jewish recipes from El Salvador to Israel, from Morocco to Cuba, Siberia to Canada, and Sri Lanka (you know the Rambam’s brother lived there...) to Romania.The book opens with a quote from Genesis: When woman ate of the tree of wisdom, she took of its fruit and ate, and shared some with her husband, and he ate. This is followed by a 16 page introduction to Solomon, Babylon, Judea, and the roots of Jewish foods; and 11 pages on pantry spices. There are sections for Morning (16 recipes); Starters (21 recipes), Salads (16 recipes), Soups and Their Dumplings (13 recipes), Breads (7 Sabbath breads, 4 Weekday breads), Grains and Such (10 recipes), Vegetables (15), Fish (15), Poultry (10), Meat (14), and Sweets (23).The aleph recipe is an Azerbaijani Kukusa with Swiss Chard and Herbs, which is easy and herb-infused and a living vestige of Jewish life in Babylonia and Persia and an example of how a Jewish dish traveled from southern France to North Africa and back to France, morphed to Azerbaijan and then to Brooklyn. The Tof "closing recipe" is a Libyan Saefra, King Solomon Cake (how often have you used Cream of Wheat and Orange zest in a recipe?).One of the fascinating aspects of this book is that each recipe has a priceless shared story and an amazing photo. To me, it is a keepsake. Smoky Shakshuka with Tomatoes, Peppers, and Eggplant comes with a story of colonial Williamsburg and its first Jewish resident, Dr. de Sequeyra, who introduced tomato-eating to his neighbors and patients. A Matzo Brei recipe comes with a cook-off story than ranges from Zamosc Poland to DC to the residence of the late Sheila Lukins (author of Silver Palate Cookbook). A recipe for Chilaquiles (Mexican Matzo Brei) is delivered with a story from LA's Jonathan Gold. Her “New Old Fashioned Bagel” recipe is akin to Montreal style ones of Mark Furstenberg’s "Bread Furst." Speaking of Canada, there is a recipe for Toronto-style Shtritzlach, as well as Siberian Chremsel. The Socca (chickpea pancake) recipe may change your life, as will Caponata Siciliana di Melanzane alla Giudia (many say that the Jews introduced eggplants to Sicily). Her Hummus with Preserved Lemon and Cumin recipe is matched with a Hebrew translation story on whether it was ‘vinegar’ or ‘hummus’ that Boaz served his workers in The Book of Ruth.Other highlights (just mentioning a few) include: Corfu/Italian Huevos Haminados con Spinaci (Long-Cooked Eggs with Spinach) from Daisy Dente Modigliani; Halleq (Persian Haroset); Ferrara Haroset (using banana, pear, and apple); Bene Israel Fish Curry with Fresh Ginger, Tamarind, and Cilantro (from Babu of Ernakulam, India); Matbucha; Curried Beet Borscht with Apples and Ginger; Yemenite Chicken Soup with Dill, Cilantro and Parsley, Persian Cucumber and Radish Salad with Hungarian Paprika; Salonikan MelitzanoSalata; Tchav; Honduran/CrownHeights mashup Winter Squash Soup with Hot Pepper and Coconut Milk; Perugia-style Cod with Tomatoes, Dried Plums, Onions, and Pine Nuts; Abgoosht with Gundi; Suellen Lazarus’ Vegetarian Matzo Ball Soup with Ghee; Concia; T’beet (Baghdadi Sabbath Overight Spiced Chicken with Rice and Coconut Chutney); Karaite-style Spiced Fried Matzo with Celery Seed and Tumeric; Kosher-Brined Roast Turkey with Challah-Chestnut-Cranberry Stuffing; Bulgarian Pashtida (from Spain Greece, the Balkans); Kubbanah, Ka’ak; Pletzel; Parpikas Krumpli (Hungarian Roasted Potatoes with Onions); Fideos Tostados with Cinnamon-Spiked Tomato Sauce (coupled with an essay on Rabbi Mussana and his concordance to the 1140 CE HeAruch); Slightly Sweet and Sour Cabbage (via Cuba by way of Ladino speakers of Turkey); Hand Cured Corned Beef; Indian Chicken with Cardamom, Cumin and Cilantro; David Tanis’ Dayton, Ohio-inspired Poached Salmon with Ginger-Cilantro Butter and Spinach; Macedonian Leek and Meat Patties; Roman Ricotta Cheese Crostata with Cherries or Chocolate; and El Salvador Schokoladenwurst.

Wonderful in every way. A bit hefty but with wisdom, great photography and easy preparation tips. Do yourself a favor and by the hard cover edition!

My grandmother was Jewish, but married and raised Christian children. I have always had an affinity to my Jewish Heritage. This "cookbook" is a wonderful story of the history of the Dispora of which I am a part. I have had so much fun finding the ingredients she talks about...in my local ethnic groceries. It has turned me on to a whole new world of cooking!

Most of the recipes are general audience, not Jews in particular. Recipes detailed. Illustrations glorious. Historic text engaging. My book is already food-stained from cooking with it open on my counter.

This book is an important insight to world Jewish culture. It is not just another "bread book" either.Thank you for printing it in English.

I have long love Joan Nathan's cookbooks, but this book made me so happy that I sent it as a gift to all of my brothers, several cousins, and several friends. (I should have bought it by the case.)

Amazing! Such a vast amount of knowledge and so much research in this wonderful book of recipes and culture. If you know anything about Joan Nathan, you KNOW the recipes are proved good. Now, you have fun facts and entertaining stories to go with these recipes from Jews around the world!

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Minggu, 03 Oktober 2010

Ebook Download In the Shelter of His Wings: Resting in God's Tender Care

Ebook Download In the Shelter of His Wings: Resting in God's Tender Care

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In the Shelter of His Wings: Resting in God's Tender Care

Review

I long...to take refuge in the shelter of your wings.

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About the Author

The delicate artwork of Carolyn Shores Wright appears on collector’s plates and prints, needlework patterns, cards, clothing designs, and in the books Abundance of the Heart and Beneath His Wings. Carolyn particularly enjoys painting birds.

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Product details

Paperback: 64 pages

Publisher: Harvest House Publishers; Gift edition (January 1, 2004)

Language: English

ISBN-10: 0736913386

ISBN-13: 978-0736913386

Product Dimensions:

6.1 x 0.2 x 6.1 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#494,013 in Books (See Top 100 in Books)

The little gift books published by Harvest House are favorites that I purchase when I want to let a friend know that I am thinking of them. Carolyn Shores Wright is one of my most admired artists for her delightful capture of nature including flowers and birds. The small nature of this book enables me to slip it easily into a padded mailer and send it on the way to a friend. They have the ability to brighten the day of your dear friends who may be experiencing any one of life's challenges. I highly recommend this for anyone.

I have given this book to several people. Carolyn Wright's books are inspiring and gorgeous. You will not be disappointed in this little book.

Love illustrations

A very encouraging and uplifting devotional that's beautifully illustrated, and a perfect gift to give to someone who needs to be blessed..

One of my very favorites of carolyn shores wright. Her artwork combined with words of faith, excellent.

Great book, very pleased with my order. Thanks

Abook everyone shouldread1

I have used this for gifts many times, small but so great

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Sabtu, 02 Oktober 2010

Ebook Download Seven Days in the Art World, by Sarah Thornton

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Seven Days in the Art World, by Sarah Thornton

From Publishers Weekly

Starred Review. The hot, hip contemporary art world, argues sociologist Thornton, is a cluster of intermingling subcultures unified by the belief, whether genuine or feigned, that nothing is more important than the art itself. It is a conviction, she asserts, that has transformed contemporary art into a kind of alternative religion for atheists. Thornton, a contributor to Artforum.com and the New Yorker, presents an astute and often entertaining ethnography of this status-driven world. Each of the seven chapters is a keenly observed profile of that world's highest echelons: a Christie's auction, a crit session at the California Institute of the Arts and the Art Basel art fair. The chapter on auctions (where one auction-goer explains, [I]t's dangerous to wear Prada.... You might get caught in the same outfit as three members of Christie's staff) is one of the book's strongest; the author's conversations about the role of the art critic with Artforum editor-in-chief Tim Griffin and the New Yorker's Peter Schjeldahl are edifying. Thornton offers an elegant, evocative, sardonic view into some of the art world's most prestigious institutions. 8 illus. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Art and business, personal quests and personality cults, big bucks and the triumph of concept over beauty, being cool and in the know—these are the cardinal points in the contemporary art world. Enter Thornton, an art historian and sociologist with moxie and a brilliant game plan. Willing to ask obvious questions, she infiltrates the seven circles of this competitive realm. An astute observer and stimulating storyteller whose crisp sentences convey a wealth of information, Thornton marvels at the military precision of a Christie’s auction and the wild improvisation of an art-school critique. On to Art Basel, a major international art fair where the “hard buy” rather than the hard sell is the rule since an artist’s reputation is tied to those who own his or her work. Thornton witnesses the final stage in the judging and presentation of the Turner Prize, watches editors at work at Artforum, attends the coveted Venice Biennale, and spends a dizzying day with the wizardly artist-entrepreneur Takashi Murakami. Thornton’s uniquely clarifying dispatches from the art front glimmer with high-definition profiles of artists, dealers, critics, and collectors, and grapple with the paradoxes inherent in the transformation of creativity into commodity. --Donna Seaman

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Product details

Hardcover: 304 pages

Publisher: W. W. Norton & Company; First Edition edition (November 3, 2008)

Language: English

ISBN-10: 039306722X

ISBN-13: 978-0393067224

Product Dimensions:

6 x 1.1 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

169 customer reviews

Amazon Best Sellers Rank:

#259,923 in Books (See Top 100 in Books)

This book helps us understand how confused the elitist tendencies of the art establishment have made the world of art. But it is also misleading - because the topic is NOT the "Art World". Ms. Thornton covers only that segment of art that she enjoys - then claims it’s exceptionally important. She also fails to be a neutral writer or ethnographer.This book is not ethnography. Ethnography involves a disinterested observer (or observer with a pre-existing opinion taking an intentionally neutral position) and going into an environment with people to study their interactions. First, and foremost, to be valid ethnography it requires that the writer describe how the specific population segment they study relates to other populations.It’s also not ethnography in that it’s mostly record of interviews - interviews that don’t add much. That it’s reporting isn’t surprising - her career has been spent reporting. But the claim to be much more is specious.Ms. Thornton does admit in her afterword to the later edition to being an enthusiast for contemporary art - and seems incapable of understanding or explaining where contemporaray fits up against a much, much larger world of art and set of artists. (I suppose it was a great sales tactic though for hyping up the book and getting it bought by a publisher.)She also fails to sort out how to observe neutrally - no matter her opinion. Many of the characters she’s with assume persona’s of "edgy" while truly being pretty mundane - a fact she misses. She also fails to see (apparently) that they are rehashing essentially the same things that have been made for nearly 70 years...that little of the theories postulated by the collectors, critics, or artists are “new”.The writing covering the first two days is quite compelling and I enjoyed those parts (tho’ frustrated by her inability to be an ethnographer). The remaining 5 days were pretty dull writing - but I wanted to make sure I read through each of the events. I suppose her “studio visit” was most hilariously odd. It wasn’t a visit to a studio - but to a factory with the tour given by the CEO. Yet rather than search ethnographically to understand and give insight to this variation, she wholeheartedly embraces the CEO.As a last thought, she is fascinated by art that has the approval of this elite crowd - it’s the art she embraces. What strikes me is that she seems to lack the interest and enthusiasm for art that doesn’t have that approval - art which probes the depths of the human and expresses what’s essentially human. Certainly we could all argue about what makes something to be art and never resolve that question - because everyone answers the question differently. But this fact is what is so sadly missing from this book - the only important question in the true world of art.

This book was just okay...nothing terribly interesting about it. Overall, I enjoyed the chapter about the Christie's auction the most, as it seemed like a very entertaining "show". The chapter called "The Magazine" was so boring and esoteric that it was virtually unreadable. The rest of the chapters were alright, with a mix of interesting and mind-numbingly dull sections....(a bit how I feel going to a modern-art gallery itself). I did expect to learn more about the art world than I did in this book, so it ended up being fairly disappointing in that respect. The saddest aspect of all is that I had a suspicion confirmed...the art world at this level is controlled by the rich and elite, so it's just another big corporate business! (Just read the chapter about the "artist" Murakami and you'll see what I mean).

This book is an ethnography (the writer as participant/observer) about the art world. Its message about art as a commodity and the art scene as a performance piece in itself came as no surprise to me as my husband is an artist. At one time we lived in New York and he was represented by a New York Gallery. When you read this book you will understand why we moved back to Alaska. Being an artist in the art world is like wearing a sign on your back that says 'hit me' or else feeling like you're some kind of wind-up toy that must perform in a set way.The book is divided into seven chapters, each elucidating one specific aspect of the art world. These chapters are:The Auction - About a Christie's big-time auction in New YorkThe Crit - About an art criticism class at CalArtsThe Fair - The Basel Art Fair in SwitzerlandThe Prize - The in's and out's of the Turner prize, awarded by Britain's Tate MuseumThe Magazine - About Artforum, an art magazineThe Studio Visit - Takeshi Murakami's studio and his work as an artist and entrepreneurThe Biennale - The Venice Biennale (or Studio 54 revisited)The commodification of art along with the hierarchy of dealers, collectors, curators and artists is in place all along the art feeding chain. While it was no surprise to me, it edified the sad state of the affairs in the art world. This book was written during the economic and art boom so the situation has likely changed along with the expendable money available to hedge fund founders and the general public.I was amazed to find out that one can not just buy art. Dealers like to choose who they will sell art to - they want art to go to an A-list collector and often collectors get on line to buy a piece of art by a particular artist. Production often does not meet the needs of consumption.If you are interested in details of the art world, you might enjoy this book. If you're easily jaded or have a weak stomach, I'd skip it. It goes into all the gory details of every aspect of art, from the artist who produces the work on up (or is it down)

LOVED this book, could not put it down. I am an artist and bought this based upon the other reviews and I am glad I did. I learned more about the art world and how it works. This book is like an insider's view of how the art world works, how galleries work and what each player in the game does. Very good information that you can use to educate yourself about the art world game in order to become more successful.

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