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Ordinary People: A Novel

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Review

“The book achieves a moody, velvety atmosphere, as though events were unfolding under amber-tinted bulbs. Bracketed by Barack Obama’s electoral victory and Michael Jackson’s overdose, Ordinary People also offers a precise sketch of the British black middle class, with a daring fifth-act twist.” - The New Yorker, "The Best Books of 2018"“Evans, the author of two previous books, has earned comparisons to Dickens with her panoramas of a jumbled, multitudinous London, but Tolstoy remains her spirit guide in how he intertwined the public and the private, the momentous and the mundane.... Exceptionally sensitive writing.” - Katy Waldman, The New Yorker“Epic… Evans' exuberant prose, which bursts at the seams with description, is the real star of this book.” - Refinery29, "The Books of September 2018 We Can’t Wait to Read"“The award-winning author of 26a and The Wonder returns with her first novel in nearly a decade and it’s a doozy: a scandalous, explosive contrast of two marriages, both of which vie to survive crises over the course of a year.” - Entertainment Weekly“Sharp, moving.” - Southern Living“Diana Evans has masterfully crafted a beautiful, nuanced story about love, loss, and redemption. With compelling prose and an uncanny insight into the questions life throw at us as human beings, she has established herself as a voice to behold.” - Nicole Dennis-Benn, author of Here Comes the Sun“Evans’ novel explores the fault lines that can run through a marriage, and unpacks the intersection of race, gender, and politics with something as profoundly intimate as marriage.” - Huffington Post, "Fall 2018 Books We Can’t Wait to Read"“Diana Evans is a lyrical and glorious writer; a precise poet of the human heart.” - Naomi Alderman, author of The Power“Deep and addictive.... Evans zooms out to build her characters' culturally rich backstories as they struggle to recognize their older selves and the relationships that have aged along with them. A probing, entertaining, and self-affirming novel of men and women getting relatably lost in the crises and hauntings of early midlife.” - Annie Bostrom, Booklist [Starred Review]“That rarest thing: a literary novel about real, recognizable human beings―a poignant portrait of middle life in London's middle class. Evans has given us four thirtysomething characters so perfectly drawn that they seem to come from a brilliant Netflix dramedy, but has rendered them with a classical prose so confident that it seems to come from a 19th century novel. Beach reading for the thinking beachgoer: as intelligent and insightful as it is hilariously entertaining.” - Taiye Selasi, author of Ghana Must Go

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About the Author

Diana Evans is a novelist and critic who has written for Marie Claire, the Guardian, and Harper’s Bazaar, among other publications. Her first novel, 26a, won the Orange Award for New Writers. She lives in London.

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Product details

Hardcover: 320 pages

Publisher: Liveright; 1 edition (September 11, 2018)

Language: English

ISBN-10: 1631494813

ISBN-13: 978-1631494819

Product Dimensions:

6.6 x 1.2 x 9.5 inches

Shipping Weight: 15 ounces (View shipping rates and policies)

Average Customer Review:

2.8 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#73,337 in Books (See Top 100 in Books)

And if ordinary, would we read about them, let them live around us? There is a novel here. It's in the characters, the pairings, the mother, the father. But like a painting with the needed elements, colors, tones, lines, shapes, something went off in the process of writing, as a painter, who moves from start to middle toward end realises that he/she went off course somewhere, needs to go back to the middle.

It had potential. The themes reflect the challenges of family life and couple dynamics. However i felt like it dragged on, being a struggle to finish. Every character had flaws, as do we all. However, the two couples weren't interesting enough for a novel. A short story would have been better.

This book was right up my alley -- or so I thought. The premise, two black couples living in London on the eve of Obama's historic election, was compelling with promises of psychological insight. But I ultimately had to abandon it. The amount of detail forced the narrative to proceed at a snail's pace and I couldn't lose myself in the story. It may be for another kind of reader but unfortunately, not for me. The title, by the way, is from the music of John Legend, whose second single provides the book's title. There is a lot of promise here but just not enough to keep me hooked.

A scary look at the ordinary lives of two couples and their struggle to love, through love and defining love. A very real portrayal of what couples experience when you hit that wall. I saw echoes of my own relationship as well as those of friends and siblings and it wasn't always pretty. In fact, it was downright scary in some instances and the alarm bells were ringing. I think the realism that Diana Evans brings to the page is what makes this novel so readable and works so well as a tale of stale domesticity.Michael and Melissa are at a crossroads in their relationship. Melissa is starting to feel as if she is taken for granted and begins to push back against the gender roles that have existed forever. Michael, is deeply tied to these roles and gives little to no thought as to how this could possibly be impacting their union.Damian and Stephanie didn't seem like a great fit from the beginning, so their struggles come less as a surprise and more as an expectation for such a poor pairing.The story and message of this novel is; love is fragile and easily broken if not tended to and cared for relentlessly and consistently. She nails the emotions, dialogue and motivations of her characters and succeeds in writing about the lives of ordinary people. There are some instances were this book veers of course, but for the most part it is a good read that stays true to its premise of ordinary people, confronting ordinary challenges. I recommend it without reservation. Thanks to Edelweiss and Liveright for an advanced DRC. Book hits shelves Sept. 11,2018

"There's a window. This is the window. Everyone, at some point in their lives, is faced with this window, and in the window you can choose not to become what you seem to be becoming. You can take a leap, do something off the wall, something reckless. It's your last chance, and most people miss it. They just walk past it. Then one day it closes, and once it's closed, it's closed forever"Michael and Melissa are unmarried, with children, and at a crossroads. Michael is stuck in the past, looking for the woman who captivated and enraptured him. The woman for whom he fell desperately in love, but who has since disappeared under the overwhelmingly large cloak of motherhood and domesticity.Meanwhile, Melissa is struggling to figure out who she is now that she's no longer a "free" woman. The children are her focus, but she's not sure if she's cut out for the role. Furthermore, she resents Michael's expectations of sameness when everything is in fact different.Evans accurately captures the conflicting feelings of love and loss motherhood invites--particularly if you've never "found yourself". For me, Melissa's breakdown was not only familiar but palpable. There were moments where I recognized and it was frightening.The story isn't only about Michael and Melissa. Their entanglement with Michael's friend Damian, and his wife Stephanie, bring you into a different type of dysfunction. Although married, they too have reached a point where they will either sink or swim. They aren't sure where each stands, but they've both so solidly bought into the idea of the family unit, neither is willing to consider separating unless it is the absolute last resort. Stephanie differs from Melissa in that she relishes her identity as a mother. Whereas Damian wonders if the life he's beholden himself to is really all there is and is it enough?The story gets a bit odd towards the end with the introduction of a ghost of some kind but I don't think Evans meant to for that portion to be interpreted as magical realism. I think it was meant to serve as definitive proof of Melissa's emotional instability.There is much to discuss and turnover with each of these couples, but the overwriting and frequent tangents away from the topic at hand, takes away from the flow. For that reason alone, I nearly gave up on it altogether, so I can see where others might do so as well.That said, this is a really good story that is definitely worth the effort.

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