Ebook The Yiddish Policemen's Union, by Michael Chabon
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The Yiddish Policemen's Union, by Michael Chabon
Ebook The Yiddish Policemen's Union, by Michael Chabon
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From Publishers Weekly
[Signature]Reviewed by Jess WalterThey are the "frozen Chosen," two million people living, dying and kvetching in Sitka, Alaska, the temporary homeland established for displaced World War II Jews in Chabon's ambitious and entertaining new novel. It is—deep breath now—a murder-mystery speculative-history Jewish-identity noir chess thriller, so perhaps it's no surprise that, in the back half of the book, the moving parts become unwieldy; Chabon is juggling narrative chainsaws here.The novel begins—the same way that Philip Roth launched The Plot Against America—with a fascinating historical footnote: what if, as Franklin Roosevelt proposed on the eve of World War II, a temporary Jewish settlement had been established on the Alaska panhandle? Roosevelt's plan went nowhere, but Chabon runs the idea into the present, back-loading his tale with a haunting history. Israel failed to get a foothold in the Middle East, and since the Sitka solution was only temporary, Alaskan Jews are about to lose their cold homeland. The book's timeless refrain: "It's a strange time to be a Jew."Into this world arrives Chabon's Chandler-ready hero, Meyer Landsman, a drunken rogue cop who wakes in a flophouse to find that one of his neighbors has been murdered. With his half-Tlingit, half-Jewish partner and his sexy-tough boss, who happens also to be his ex-wife, Landsman investigates a fascinating underworld of Orthodox black-hat gangs and crime-lord rabbis. Chabon's "Alyeska" is an act of fearless imagination, more evidence of the soaring talent of his previous genre-blender, the Pulitzer Prize–winning The Amazing Adventures of Kavalier and Clay.Eventually, however, Chabon's homage to noir feels heavy-handed, with too many scenes of snappy tough-guy banter and too much of the kind of elaborate thriller plotting that requires long explanations and offscreen conspiracies.Chabon can certainly write noir—or whatever else he wants; his recent Sherlock Holmes novel, The Final Solution, was lovely, even if the New York Times Book Review sniffed its surprise that the mystery novel would "appeal to the real writer." Should any other snobs mistake Chabon for anything less than a real writer, this book offers new evidence of his peerless storytelling and style. Characters have skin "as pale as a page of commentary" and rough voices "like an onion rolling in a bucket." It's a solid performance that would have been even better with a little more Yiddish and a little less police. (May)Jess Walter was a finalist for the 2006 National Book Award for The Zero and the winner of the 2006 Edgar Award for best novel for Citizen Vince. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Bookmarks Magazine
Does The Yiddish Policemen's Union live up to Michael Chabon's formidable reputation? There is no consensus: some critics called the novel the spiritual heir to the Pulitzer Prize?winning Adventures of Kavalier & Clay (2000); others thought it a disappointing aberration. As in Kavalier & Clay, Chabon explores issues of identity, assimilation, and mass culture, but he also pays homage to the noir detective novel—with mixed results. The New York Times called Landsman "one of the most appealing detective heroes to come along since Sam Spade or Philip Marlowe," while the Pittsburgh Post-Gazette felt that the work "came nowhere close to making the cut of a Raymond Chandler novel." Critics similarly disagreed about the writing, the convoluted plot, the symbolism of the Jewish-Native American conflict, and the controversial use of Yiddish slurs and caricatures. If not a glowing success, The Yiddish Policemen's Union nonetheless illustrates the rare talents and creativity of its author.Copyright © 2004 Phillips & Nelson Media, Inc.
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Product details
Hardcover: 432 pages
Publisher: Harper/Collins; 1st edition (May 1, 2007)
Language: English
ISBN-10: 9780007149827
ISBN-13: 978-0007149827
ASIN: 0007149824
Product Dimensions:
6.1 x 1.3 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
711 customer reviews
Amazon Best Sellers Rank:
#151,670 in Books (See Top 100 in Books)
I am reading the Nebula Award winning novels in chronological order. This is the winner for 2008.I must say, this book was very...different. Different in an interesting but sometimes difficult to read way. The novel is liberally embellished with Yiddish, the native language of the characters. There is a glossary in the back which I didn't notice until it was too late. I don't like looking things up anyway, plus the context makes most things obvious.The story is complex and the ridiculously long names for some of the characters don't make it any easier to keep track of things. There is a lot to follow. This is not a light read, you have to be paying attention. I would not recommend it for an audiobook.The two main characters are detectives in a province of Alaska to which they have been granted a 50 year lease. The main character, Landsman, life has gone down the tubes, his marriage collapsed leaving him with nothing to live for. He rents a dumpy apartment in a slum where he spends his non-working time drowning himself in alcohol. But he is a driven detective and when a young man is murdered in his apartment building, he takes it seriously. The book follows the complicated path to find the man's killer.What I really liked about the novel was the language, not the insertion of Yiddish, but the colorful and insightful aphorisms. So much can be conveyed in so few words. I'm going to put a number of them in this review so you can see what I mean. There are a lot, lot more throughout the novel.The lady has been in and out of the hospital lately, dying in chapters, with a cliff-hanger at the end of every one.The blood from the back of his head has scattered rhododendrons in the snow.He can feel his rib cage ringing under the mallet of his heart.Landsman feels a numbness enter his limbs, a sense of doom that is indistinguishable from peacefulness.I'm like a cash gift, I'm always appropriate.I could go on citing these things but you've probably got the idea by now.
I have a love-hate relationship with Michael Chabon. I loved The Amazing Adventures of Kavalier & Clay. I hated Wonder Boys and this would be right in the middle. I would encourage anyone reading this to first have the understanding that this takes place in a fictional world where the Jews are given, for lack of a better description, an alternate Israel in Sitka Alaska. Since I did not, it took awhile for me to "get it"...about the time he mentions the A-Bomb that took out Berlin. So you better have the Glossary in the back of the book open, along with Google so that you can cut through the density of the narrative with it's heavy reliance on Jewish/Yiddish references. Maybe it is my deficiency that I do not want to have to cross-reference every third paragraph; however, I don't. The characters are well drawn and his descriptions of place and time are wonderfully evocative. The story, although overly convoluted for my taste, is well told. Maybe I should stick to Romance Novels?
I don't have time to review this properly, but I'm not the type who wants to read fiction taking place in an alternate history. However, this book was so imaginative and unusual that I ended up buying into Chabon's world in Alaska. Sorry there's no time for me to explain why. Just get through the first 50 pages and enjoy the ride. Chabon is so smart and funny that I couldn't help but consider my relative superficiality and stupidity.
Don't be put off by the unlikely hypothetical premise of a US - sanctioned Jewish shtetl in Sitka, Alaska -- Chabon could take any premise at all, regardless of how crazy, and do anything he wants with it so long as he keeps writing in his characteristic, highly evocative style that exactly places the reader in the moment right down to the components of a particular smell or color or thought or memory, or light or mood. He delivers his easy, almost free wheeling exactitude of description, with unparalleled and seemingly effortless turn of phrase, through multitudinous and constant allusion, delightfully concise and incisive by turns, nailing it, never letting the allusion get in the way, speeding by it, allowing it to spring forth as from a well rehearsed comedian, in consistently dense prose achingly and enviably to the point in stream of consciousness types of controlled leaps from this to that, precisely conveying in disarmingly simple words, a likeness between the object or emotion or taste at hand and things we know intimately, all with with shocking accuracy, constantly drawing a string of minute comparisons and likenesses in a made up world made undeniably palpable and familiar, a made up world especially for Jews, but so enjoyably particular and intimate in its description that in the end, his wild premise seems not so terribly unlikely.As for the plot, it's as wild as the notion of a remote Alaska Jewish shtetl set up by the state, and yet it moves along briskly enough, implausible --or not? -- as the outcome may be.Crazy enjoyable read, although it helps of you are Jewish or nearly Jewish by association owing to near constant cultural and actual Yiddish references (a lot of which, however, are self explanatory by context). All of this creates a feeling akin to an inside joke best understood by Jews, but again, the language is so beguiling to anyone enchanted by a well written turn of phrase, that it would be a shame for only Jared to read this and for non Jews to miss out. I encourage all linguaphiles, whatever their ethnic background, to dive in, maybe with a mini Yiddish reference dictionary on hand.
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